Inanna Publications

Now available on NetGalley: AETHER & EGO by Joanne Merriam, a steampunk retelling of Jane Austen’s Pride and Prejudice, with the addition of space travel, dogs, and accidental death.

It is autumn 1845, and Elizabeth Bennet is a part of the second generation embarking on a centuries-long flight to Alpha Centauri, working in the signal room and studying engineering aboard a massive centrifugal ship. When she is thrown into the orbit of the conventional Mr. Darcy, Elizabeth finds him haughty and intolerable.

But then her younger sister elopes. For all of their progress in the new society of the ship, a woman can still be ruined by an imprudent attachment. Can Elizabeth and Darcy save Lydia’s reputation, learn to like each other, and avoid being convicted of murder?

Request via https://www.netgalley.com/catalog/book/849250

🏳️‍🌈 Happy Pride Month! 🏳️‍🌈

Over the month of June, we're celebrate Pride month by diving into some of our favourite LGBTQ+ titles! Today we're highlight UNCOMMITTED CRIMES: THE DEFIANCE OF THE ARTISTIC IMAGI/NATION by by Tara Atluri.

Theodor Adorno once remarked that, “…every work of art is an uncommitted crime.” This book is a tribute to political artists who deviate from the mainstream and create art that engages with questions of societal oppression, survival, and resistance. It draws on interviews with transnational artists whose work is representative of emerging trends in art, visual culture, and political aesthetics. Uncommitted Crimes reflects on a new generation of artists whose creative praxis, sensibilities, influences, and frames of reference derive from multiple national, religious, and cultural genealogies, and an ambivalent relationship to Western and European nationalisms. Courageously, these racialized, Indigenous, and migrant artists straddle the divides of many categories of identity in regards to gender, sexuality, and ‘race.’ Their art challenges the silently imbibed worship of whiteness, heteronormative patriarchies, and colonial settler ideologies of “home.” These exceptional cultural producers enter into uncomfortable dialogues, creatively. Inspired by their visionary praxis, this book is an uncommitted crime, attempting to smuggle arresting artistic ideas into a site of intellectual imagi/nation. Artists whose works are explored in this book include: Andil Gosine, Syrus Marcus Ware, Elisha Lim; Amita Zamaan and Helen Lee; Shirin Fathi; Kara Springer; Rajni Perera; Joshua Vettivelu; Brendan Fernandes; Kerry Potts and Rebecca Belmore; The Mass Arrival Collective (Farrah Miranda, Graciela Flores Mendez, Tings Chak, Vino Shanmuganathan, and Nadia Saad.). The book includes 65 pages of artwork.