Norient

Norient

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Norient is a platform for the sound of the world: For contemporary music, quality journalism, cutting-edge research, and events such as the Norient Festival.

03/06/2026

࿐ Why are artists increasingly drawn to uncertainty? 

Through site-specific concerts of Shane Parish, Laura Masotto, Michela de Mattei and Palm Wine, and Kenichi Iwasa at Festival in the Italian Alps, our author Rebecca Favale explores a growing desire for performances shaped by nature, chance, and immersion.

πŸ’» written by featuring Β 
πŸ’¬ edited by
🎨 snap artwork design by .ale.ssia
πŸ—£οΈ snap artwork quote by

🎡 snap sound by
πŸ“Έ photos by Sofia Lambrou, Dimitri D’Ippolito, Rachel Orcutt
πŸ’¬ article copy edited by Tucker Wiedenkeller ()
πŸ—“ published 06/2026

𝑡𝒆𝒙𝒕𝒐𝒏𝒆𝒔 πŸπŸŽπŸπŸ” π‘±π’–π’π’š πŸπŸ”-πŸπŸ—
πŸ“ Ossola Valley, Italy
🌐 Programme via
 🎟️ Tickets via DICE
🎨 Visual identity by Rachele Daminelli
Production

28/05/2026

𝐖𝐫𝐒𝐭𝐒𝐧𝐠 π€π πšπ’π§π¬π­ 𝐭𝐑𝐞 π€π«πœπ‘π’π―πž

From colonial newspaper to piano score: Β«A Symphony of ArchivesΒ» by transforms historical traces into living sound.

In this conversation from the Ultima Festival in Oslo in 2025, curator Francesca Ceccherini (Zaira Oram) speaks with Ash Kilmartin (Radio WORM) about territory, memory, and the notion of Β«situated listeningΒ».Β Β 

πŸ”—Β norient.com/francesca-ceccherini/writing-against-archiveΒ Β 
with a live recording from 2022 w/ pianist .kordzaia

πŸ“’π‘«π’–π’”π’• 𝒂𝒏𝒅 π‘­π’“π’†π’’π’–π’†π’π’„π’Šπ’†π’”Β 

a digital publication by and
πŸ’» written byΒ  () & Β 
πŸ’¬ edited byΒ  and Β 
πŸ’¬ edited & curated by &

πŸ’» essays, audio pieces and conversations byΒ 

Ahmed Essyad @​​leila.rufus

() ,Β & Β Β 
🎨 snap design by
πŸ’¬ copy edited by Tash Siddiqui

🎬 outreach and trailer by
πŸ”—content publishing

🀝collaboration partners: .worm
πŸ’Έco-funded by and
πŸ—“ published 03/2026

Photos from Norient's post 26/05/2026

Β«We want to share a part of this voguing oasis that we have known together, to transmit the aesthetic, political, and sound richness being breathed into BogotΓ‘'s Ballrom culture.Β» Vera Fonseca & Diana Santos

Vera and Diana delve into BogotÑ’s contradictions of inequality and resilience in diversity, they reveal how a local Ballroom is created adjacent to music genres like merengue and perreo.Β 

This essay identifies shared meanings, discontinuities, and local innovations in the Ballroom scenes in New York and BogotΓ‘.

✍🏽

Vera FonsecaΒ .bugambiliaa is a trans woman, visual artist, and sociologist from Pontificia Universidad Javeriana in BogotΓ‘, Colombia.

Diana SantosΒ Β is a sociologist with experience in researching the artistic and cultural practices of individuals with non-hegemonic sexual orientations and gender identities. She’s the founder of .
🎨snap design by

π‘―π’π’Žπ’† π’Šπ’” 𝑾𝒉𝒆𝒓𝒆 𝒕𝒉𝒆 𝑯𝒆𝒂𝒓𝒕 π‘Ίπ’•π’“π’Šπ’—π’†π’”
πŸ’¬edited by .liechti
πŸ’» featuring essays, poems, articles, artworks, photos and sound pieces by 85 contributors from 38 countries
πŸ“š book and cover design by Maria UtheΒ Β Β Β and Arief Wibisono
πŸ“Έ cover photo by
🎬communication by
πŸ–ŠοΈcopy editing by Tash Siddiqui and Meredith Slifkin
πŸ—“ published 06/2025 at Norient BooksΒ 
πŸ“¦available in the Norient Shop, Bandcamp and BigCartel EUR 29.– 

ℹ️This essay is part of the virtual exhibition Norient City Sounds: BogotÑ curated and edited by Luisa UribeΒ . It was first published on the Norient Space on August 22, 2024.

***r

Photos from Norient's post 19/05/2026

Β«People in Porto were much more interested in doing their own stuff than actually trying to follow a specific trend and that created a very unique music output.Β» Gustavo Costa, Sonoscopia - Platform for Experimental MusicΒ 

Gustavo Costa’s sonic vision is characterized by a constant openness to musical styles but with a common denominator: experimentation and the constant desire for stylistic renewal. Active in the underground scene since the early 1990s, and part of countless bands and formations since then, he maintained an interest and parallel engagement with the academic world.

In recent years, he has concentrated a large part of his activity in β€” the collective and association of which he has founded β€”Β  where he dedicates himself to the sonic exploration through various formats of creation and collaboration.

The latest TIMEZONES podcast episode comes from Porto, Portugal, and opens up the question: How does the current social and political climate shape β€” and gets shaped by β€” the way we listen to the city?Β 

π–£˜ Listen to the podcast in the bio link π–£˜

𝑻𝑰𝑴𝑬𝒁𝑢𝑡𝑬𝑺 𝑷𝒐𝒓𝒕𝒐 
𝑹𝒆𝒔𝒐𝒖𝒏𝒅𝒔: 𝑺𝒐𝒖𝒏𝒅, 𝑺𝒑𝒂𝒄𝒆, 𝒂𝒏𝒅 π‘ͺπ’‰π’‚π’π’ˆπ’†
πŸŽ™Podcast episode 23 by
🎡 featuring Alexandre Soares ,  Gustavo Costa , Luca Massolin , Paula Lopes , and Pedro Melo Segurado

 ✍ artistic editor and project manager:
πŸ“£ Outreach:
⁠🎚mastering:
πŸ—£οΈ jingle voiceover: Nana
πŸ’« jingle mix:
πŸ“Ή trailer:
🎨 snap design:  snap quote: al_soar 
πŸ› initiated and produced by

πŸ—“ published 04/2026
🀝Support and purchase on for 6 EUR
🎧Available on , , and other streaming platforms.

03/05/2026

𝑰 π’•π’‰π’Šπ’π’Œ 𝒐𝒇 π’Žπ’šπ’”π’†π’π’‡ π’π’Šπ’”π’•π’†π’π’Šπ’π’ˆ 𝒕𝒐 𝒑𝒐𝒑 π’”π’π’π’ˆπ’”
π’„π’“π’šπ’Šπ’π’ˆ 𝒐𝒗𝒆𝒓 𝒂 𝒍𝒐𝒔𝒕 𝒍𝒐𝒗𝒆
π’‰π’π’˜ 𝒕𝒉𝒆 π’”π’π’π’ˆπ’” π’˜π’†π’“π’† 𝒂𝒃𝒐𝒖𝒕 π’Žπ’†
π’˜π’‰π’Šπ’π’† 𝑰 π’…π’Šπ’…π’β€™π’• 𝒖𝒏𝒅𝒆𝒓𝒔𝒕𝒂𝒏𝒅 𝒂 π’”π’Šπ’π’ˆπ’π’† π’π’Šπ’π’†

An exerpt of the poem Music is Language Without Signification by Tillmann Severin, whoΒ writes poetry and prose.

πŸ“’π‘―π’π’Žπ’† π’Šπ’” 𝑾𝒉𝒆𝒓𝒆 𝒕𝒉𝒆 𝑯𝒆𝒂𝒓𝒕 π‘Ίπ’•π’“π’Šπ’—π’†π’” πŸ‡΄β€ŒπŸ‡Ίβ€ŒπŸ‡Ήβ€Œ πŸ‡³β€ŒπŸ‡΄β€ŒπŸ‡Όβ€Œ
πŸ’¬edited by .liechti
πŸ’» featuring essays, poems, articles, artworks, photos and sound pieces by 85 contributors from 38 countries
πŸ“š book and cover design by Maria UtheΒ Β Β Β and Arief Wibisono
πŸ“Έ cover photo by
🎬communication by
πŸ–ŠοΈcopy editing by Tash Siddiqui and Meredith Slifkin
πŸ—“ published 06/2025 at Norient Books
πŸ“¦available in the Norient Shop, Bandcamp and BigCartel EUR 29.– 

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