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Based on conceptual art, Šhema illustrates the image of the world according to his art vision. He also started to give drawing and painting courses himself.
28/02/2026
Arrival Gallery x Paris — Day 2 🔥
Day 2 and the energy was unreal. So many friends pulled up to support that people were joking we sold out the gallery 😂❤️ The room was full, the vibes were high, and the love was felt from every corner.
I had the chance to dive deep into the art anatomy of my works — breaking down the layers, the structure, the intention behind every line and form. Sharing the process, the meaning, and the vision behind each piece made this experience even more special.
Grateful for every conversation, every hug, every moment. Paris, you showed up. 🇫🇷✨🎨
Special thanks to .e_eric
This is the final drawing process of The Ritual of Race — the scene where color is no longer neutral, but assigned. Where identity stops being organic and becomes imposed.
The thrown paint is not just pigment.
It is hierarchy.
It is categorization.
It is the beginning of separation.
In this artwork, the act is symbolic — a ritual where blank, unsegmented bodies are marked without consent. What was once equal becomes labeled. What was once unified becomes divided.
This part of the drawing was crucial. The motion of the paint had to feel violent but controlled. Intentional. Almost ceremonial.
Ten years ago, this idea lived only in my mind.
Today, it exists on canvas.
The Ritual of Race — Chapter IV of The War Within: Breaking Out of Perdition.
The war doesn’t start outside.
It starts the moment identity is imposed.
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Voici le processus final du dessin de The Ritual of Race — la scène où la couleur n’est plus neutre, mais assignée. Là où l’identité cesse d’être organique pour devenir imposée.
La peinture projetée n’est pas simplement un pigment.
C’est une hiérarchie.
C’est une catégorisation.
C’est le début de la séparation.
Dans cette œuvre, l’acte est symbolique — un rituel où des corps vierges, non segmentés, sont marqués sans consentement. Ce qui était égal devient étiqueté. Ce qui était uni devient divisé.
Cette partie du dessin était cruciale. Le mouvement de la peinture devait paraître violent mais maîtrisé. Intentionnel. Presque cérémoniel.
Il y a dix ans, cette idée ne vivait que dans mon esprit.
Aujourd’hui, elle existe sur toile.
The Ritual of Race — Chapitre IV de The War Within: Breaking Out of Perdition.
La guerre ne commence pas à l’extérieur.
Elle commence au moment où l’identité est imposée.
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