Dom Storrs - Sound Design

🥊 Punching above with & 🥊

Matchroom Boxing unveiled a new, bold brand identity designed to bridge tradition and innovation, reinforcing their status as a global leader in boxing promotion. Working alongside Native Strangers, I helped craft the audio landscape for both a striking social media teaser and a 360° immersive installation at Frameless, London.

It was a pleasure to come on board and help realise their new identity and design sound for a multi-sensory installation at .

🏈 One I’ve been looking forward to sharing – a brilliant collab with Alchemy Studio back in Feb '25 for a series of hype videos for Super Bowl 59. 🏈

Their bold approach to design is genuinely inspiring from a sound perspective which made the sound design process feel intuitive and dynamic.

It was a joy to bring these promo pieces together under tight turnaround. Credit also to Fresh Base Productions and NFL UK for bringing these together.

🎬✨ Soundtracks from scratch. Let's dive in to the brilliant fantasy world of 'Elegancia' ✨🎬

Written, directed and starred in by the ever brilliant this film follows a misguided filmmaker who’s pulled into a dark fairytale world of her own creation – a place where the dance never stops.

Location recording issues meant the soundscape had to be almost entirely built from the ground up. We worked with the fantastic team at to help with the ADR and VO recording and then worked to build a fantasy world to bring the audience into – where they to can succumb to the dance!

From set design to choreography and ADR sessions to a totally bespoke score, this project was beautifully ambitious and a huge undertaking for all departments and it was a joy to see it on the big screen in all it's glory – an absolutely fantastic effort from all involved! 👏👏👏

Please enjoy these excerpts and the full film will be available to watch soon!

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🔧 Disauthority Crew
Post Producer / Marcus Hundsnes
Colourist / Zain Haris
VFX Supervisor + Compositing / Raiyan Chinoy .chinoy
Concept Art + Storyboards / Raiyan Chinoy
3D Modelling + Animation / Daniel Sarfraz

🎬 Originals Crew
Producers / Maria Shevtsova + Marcus Hundsnes
Assistant Producer / Zain Haris

A Original

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👥 Cast
Maria Shevtsova
Orla Vellacott
Katriona Brown
Amber Sylvia Edwards
Imogen Smith

Ensemble:


jshbro

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🎞️ HODs & Crew
Supervising Producer / Nick Hampson Now Ex
Development Producer / Sarah Fielding
Assistant Producer / Alina Bichieva
Writer + Director / Maria Shevtsova
Script Editor / Aleksandra Sykulak
Project Advisor / Lara Zeidan

Cinematographer / Zwee Phimasset
Camera + Steadicam / Alex Kingston
1st AC / Joshua Baylis
1st AD / Josie Connor
Gaffer / Max Elliot Lovell
Key Grip / Jim Moriarty .grips
HOD Rigger / Carl Opara IdealCrew

Costume Design / Amada Piedra
HMU / Grace Davis
Production Design / Collette Creary-Myers
Script Supervisor / Jessica Lipinski
Choreography / Monica Nicolaides
Stunts + Wellness / Gareth Henry

Stills / Luke Ross .stills
Videography / Jannes Hueffmann

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✂️ Post
Offline Editor / Louis Holder .holder.film
Sound Design + Mix / Dom Storrs Dom Storrs - Sound Design
Composer / Richard Collins

🎥✨ Looking back at one of my favourite recent projects – Progeny! ✨🎥

I 𝒂𝒃𝒔𝒐𝒍𝒖𝒕𝒆𝒍𝒚 𝒍𝒐𝒗𝒆𝒅 working on this one.

Not only was this film a brilliantly conceived and executed project, but it provided an incredible opportunity to push my creative boundaries, as well as test my skills as a sound designer and audio post-producer.

The quality of production; from the set design, to the acting and the quality directing from Nicole Pott - Film Director, meant the pressure was on to deliver in post-production.

It pushed every department to their limit. It required creative solutions, to go above-and-beyond and creative collaboration from the very start of the process.

𝐵𝑒𝑐𝑎𝑢𝑠𝑒 ℎ𝑜𝑤 𝑒𝑙𝑠𝑒 𝑑𝑜 𝑦𝑜𝑢 𝑙𝑖𝑓𝑡 𝑎 𝑓𝑎𝑛𝑡𝑎𝑠𝑦-ℎ𝑜𝑟𝑟𝑜𝑟 𝑡𝑜 𝑎 𝑙𝑒𝑣𝑒𝑙 𝑤𝑜𝑟𝑡ℎ𝑦 𝑜𝑓 𝑡ℎ𝑒 𝑏𝑖𝑔 𝑠𝑐𝑟𝑒𝑒𝑛?

Without that teamwork we wouldn’t have been able to achieve what we did.

The amazing music score from [Richard Collins] and the superb VFX work by [Lee Watson and co.] came together brilliantly with the sound design and mix to really deliver in the post-production department and create a truly compelling cinematic experience.

When you put everything together it’s no surprise it's been selected for numerous film festivals and won best-horror at the BIFA qualifying North-East International Film Festival, as the hard work and dedication are clear to see.