Satrangee

1001 BANDISHES OF THE GREAT MAESTROS (Episode 343 Bandish 359)

Raga: Sohini
Thaat: Marwa
Jaati: Shadav
Time: Dawn (Sandhiprakash)
Vadi: Dha
Samvadi: Ga

Manali Bose singing a delicate yet intense late-night raga of the Marwa thaat, SOHINI Sohini embodies a luminous, inward fire — restless, yearning, and sensuous. Its sharp Ma (tivra Madhyam) and the poignant interplay of Re and Dha create a shimmering tension, perfectly suited to expressions of viraha and playful complaints.
In this Madhyalaya Addha bandish, the nayika addresses Krishna with an affectionate reproach.

The composition beautifully balances shringāra and chanchalata — tender longing mingled with teasing mischief. The rhythmic gait of Addha lends a graceful swing, enhancing the playful complaint while allowing space for expressive bol-bānāo and intricate layakari.
Sohini’s upward-striving phrases and glowing tivra Ma illuminate the emotional restlessness of the heroine, making this bandish both vibrant and evocative in performance.

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This drut composition in Raga Bilaskhani Todi unfolds the poignant emotion of viraha (separation) through the voice of a longing nayika. The text appeals to the Divine Beloved beseeching compassion and reunion.

The poetry articulates an existential restlessness — in the absence of the Beloved, the heart finds neither repose nor direction. Without Him, the inner being remains devoid of joy; night offers no rest, and daily life loses meaning. The language is simple, yet emotionally expansive, allowing the raga’s introspective gravitas to deepen the lyrical sentiment.

Presented in Drut Teentaal, the composition balances lyrical urgency with the raga’s inherent depth. The faster tempo does not diminish its introspection; rather, it intensifies the emotional plea, allowing for dynamic taans and bol-baant while retaining the gravity of the raga’s mood.

In essence, this bandish becomes both a personal lament and a devotional invocation — where aesthetic expression and spiritual longing converge.

1001 Bandishes of the Great Maestros EPISODE 341 BANDISH 357
Raga Bilaskhani Todi,
Tala - Drut Teentaal
Thaat: Bhairavi
Jaati: Audav-Sampurna
Time: Morning
Vadi: Komal Dha
Samvadi: Komal Ga

1001 Bandishes of the Great Maestros EPISODE 341 BANDISH 357
Raga Bilaskhani Todi,
Tala - Drut Teental (16 beats)
Thaat: Bhairavi
Jaati: Audav-Sampurna
Time: Morning
Vadi: Komal Dha
Samvadi: Komal Ga

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We are Satrangee - the classical quartet working to spread Indian Classical Music.

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In Rāga Nayakī Kānadā, this Drut Teentaal composition unfolds the quiet anguish of the nāyikā. Separated from her beloved, she confides in her friend, asking how she may be granted his darshan. Her words flow from a heart steeped in longing — for without the vision of Hari, her yearning knows no pause.

Each moment stretches into ache, each day and night dissolves into devotion. A bandish where viraha becomes bhakti, and restrained emotion finds voice through melody.

1001 BANDISHES OF THE GREAT MAESTROS (Ep 340 Bandish 356)
Raga: NAYAKI KANADA
Thaat: Kafi
Jaati: Vakra Shadav
Time: Late night
Vadi: Pa
Samvadi: Re