Timothy Taylor

A painting by Marina Adams (Marina Adams) is included in “Shaping Color,” on view at the Longlati Foundation (Longlati Foundation) in China. Bringing together fourteen artists, the exhibition considers colour as a constructive force in contemporary art, with works presented in dialogue across varied approaches to chromatic form.

Learn more at the link in our bio.


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Installation view, “Shaping Color,” Longlati Foundation, China, 2026

Wishing a happy birthday to Alicia Adamerovich (), who was born on this day, 23 March in Latrobe, Pennsylvania!

This summer marks the artist’s first solo institutional exhibition, opening 5 June at the San Luis Obispo Museum of Art () in California.

Adamerovich’s work explores interior, emotional landscapes through dreamlike scenes shaped by memory and imagination. Across painting, drawing, and sculptural frames, her compositions suggest spaces that feel at once familiar and subtly otherworldly.

Learn more about the artist at the link in our bio.


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Alicia Adamerovich, “Happy sad,” 2024; The artist in her studio, 2023. Photo: Lance Brewer

Join us this evening from 6–8pm for the opening of James Prapaithong’s debut solo exhibition in the US.

"So We Won’t Forget" brings together a group of paintings that consider how particular qualities of light can trigger involuntary memory. Here, light becomes both subject and agent—obscuring, abstracting, revealing, and intensifying what it touches. In these works, light recasts familiar surfaces and scenes, giving them an otherworldly quality.

Learn more about this presentation and plan your visit: https://timothy-taylor.visitlink.me/sbXril


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James Prapaithong, “Years Gone By (diptych),” 2025

Join us tomorrow evening, from 6 – 8pm, in London for the opening of "Alex Katz: Various Trees."

Over the years, Katz has increasingly turned his attention to capturing the fleeting effects of light and movement in the natural world, including trees, clouds, and blossoms, translating the experience of seeing into paint. At ninety-eight, the artist continues to distill the sensations of these encounters, focusing on perception rather than literal representation.

In these latest works, the mottled patterns of light and shadow lean more heavily into abstraction, moving freely between figure and ground. Each scene, like a brief passage of a much larger narrative, offers a transportive glimpse into the artist’s profound engagement with nature and with seeing.

This presentation marks our fourteenth solo exhibition of the artist’s work.

Learn more and plan your visit: https://timothy-taylor.visitlink.me/JlmTc3


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Alex Katz, "September 3," 2024 © 2026 Alex Katz / Licensed by VAGA at Artists Rights Society (ARS), NY