Spektrix

We’ve just arrived in sunny Arizona, where we’ll be spending a few days visiting some of our wonderful users and getting ready for the NAPAMA (North American Performing Arts Managers and Agents) Retreat at the Fox Tucson Theatre.

It’s always a highlight to visit organizations in person, hear what’s working for them, and see their work up close. It's set to be a great few days of connection, shared ideas, and fresh perspectives with the Arizona arts community!

Part 2 of International Ticketing Association (INTIX)'s 2026 Ticketing Trends series explores how evolving audience expectations are reshaping the ticketing experience, from clearer pricing to more accountable distribution.

This installment features insights from our very own Bethany Nothstein, who shares why transparency is not just a perception issue, but critical to building trust, loyalty, and long term revenue.

It's a great read for anyone thinking about the future of audience relationships. Read the full article:

2026 Ticketing Trends – Part 2: Trust, Transparency and Pricing As technology continues to reshape ticketing, another force is shaping the industry just as powerfully — consumer expectations. Across markets and event types, buyers are asking more questions about pricing, availability, resale and the overall fairness of the purchase experience. What’s emergin...

We’re so excited to welcome Cleo Parker Robinson Dance to Spektrix!

For over 50 years, they have transformed lives through the healing power of movement, building confidence, community, and cultural connection through dance. Rooted in African American traditions, they are dedicated to providing cross-cultural instruction, performances, and enrichment programmes that empower communities and cultivate the healthy mind, body and spirit.

It’s great to have you as part of the Spektrix community.

We’re thrilled to welcome The Ensemble Theatre Houston to Spektrix!

Influenced by the African American Theatre Movement of the 1960s and 70s, and frustrated by the lack of opportunities for Black actors, George Hawkins established his own company in Houston, Texas in 1976, then known as the Black Ensemble Company. Hawkins’ goal was to create a theater that would provide diverse roles for Black artists.

Today the Ensemble Theatre continues to expand and create innovative programs to bring African American theatre to a wide range of audiences.

A warm welcome to the community, we’re delighted to have you with us!

Our UK Hubs are filling up fast! If you’ve been meaning to sign up, now’s the time. This year, we’re bringing you the most actionable Spektrix Hubs yet.

We’re already waitlisting for:
- Edinburgh: Thursday 4 June
- Manchester: Monday 1 June
- London: Tuesday 16 & Wednesday 17 June

Remaining dates with limited space:
- Edinburgh: Tuesday 6 October
- London: Tuesday 22 & Wednesday 23 September
- Manchester: Tuesday 8 & Wednesday 9 September

Secure your spot while you can: https://hubs.ly/Q04gcV0S0