Paper Frame Productions

Lifeline music video OUT NOW. Shot on 16mm film. Additionally, the great .matt also took some incredible BTS stills on Porta 800 film too. What a team!

Director: 🙋🏻‍♀️
Artist: (duh!)
Cinematography:
Produced by:
Choreography:
Stills: .matt
PA:

: Going back to the topic of AAPI representation in film, what about AAPI representation behind the camera. Do you feel that AAPI filmmakers are getting just as much representation today than the little to none gotten in the past?
kaye: No! We are underrepresented in every facet of media! There simply are not enough of us and we are nowhere near equal. Think about camera departments alone, how physically and technically intensive those jobs are, and how few women are in them in comparison to men. How rare is it still to hear about a female cinematographer, let alone a POC one? Or an editor? A gaffer? A key grip? We have a long, long, long way to go.

Even as I move forward in conversations about my first feature as an emerging female writer/director, everyone thinks that the risk they are taking is on ME and that I need an experienced, veteran crew to support my directorial debut. I agree, of course, and want all the support and expertise that I can get, but it’s also true that the veterans who have been working for years and years are predominantly white men and only in the past five years have the gates opened up to POCs and women, so a lot of us are just getting our first opportunity right now. I hope this changes in the coming years, but in order to get veteran women and POCs on our sets, someone needs to give them their first shot! Right now, people are still afraid to do that.

Read the rest at , link in their linktree!

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