Tune Indigo

Pentatonic sight singing practice (8 of 8)

one variation at a time. 🎶

Each clip has three passes:

🎵 On Your Own — notation + backing track, no voice
🎵 Sing With Me (top voice) — follow the melody in solfège
🎵 Sing With Me (either voice) — choose your part

This is ear training the way it's meant to work — sound before symbol, melody before theory. Using movable do solfège to connect what you hear to what you read.
Part of the "When I'm Feelin' Pentatonic" series on the TuneIndigo channel.

👉 Full lesson on YouTube — link in bio

Pentatonic sight singing practice (7 of 8)
one variation at a time. 🎶

Each clip has three passes:

🎵 On Your Own — notation + backing track, no voice
🎵 Sing With Me (top voice) — follow the melody in solfège
🎵 Sing With Me (either voice) — choose your part

This is ear training the way it's meant to work — sound before symbol, melody before theory. Using movable do solfège to connect what you hear to what you read.
Part of the "When I'm Feelin' Pentatonic" series on the TuneIndigo channel.

👉 Full lesson on YouTube — link in bio

Pentatonic sight singing practice (6 of 8)
one variation at a time. 🎶

Each clip has three passes:

🎵 On Your Own — notation + backing track, no voice
🎵 Sing With Me (top voice) — follow the melody in solfège
🎵 Sing With Me (either voice) — choose your part

This is ear training the way it's meant to work — sound before symbol, melody before theory. Using movable do solfège to connect what you hear to what you read.
Part of the "When I'm Feelin' Pentatonic" series on the TuneIndigo channel.

👉 Full lesson on YouTube — link in bio

Pentatonic sight singing practice (5 of 8)
one variation at a time. 🎶

Each clip has three passes:

🎵 On Your Own — notation + backing track, no voice
🎵 Sing With Me (top voice) — follow the melody in solfège
🎵 Sing With Me (either voice) — choose your part

This is ear training the way it's meant to work — sound before symbol, melody before theory. Using movable do solfège to connect what you hear to what you read.
Part of the "When I'm Feelin' Pentatonic" series on the TuneIndigo channel.

👉 Full lesson on YouTube — link in bio

Pentatonic sight singing practice (4 of 8)
one variation at a time. 🎶

Each clip has three passes:

🎵 On Your Own — notation + backing track, no voice
🎵 Sing With Me (top voice) — follow the melody in solfège
🎵 Sing With Me (either voice) — choose your part

This is ear training the way it's meant to work — sound before symbol, melody before theory. Using movable do solfège to connect what you hear to what you read.
Part of the "When I'm Feelin' Pentatonic" series on the TuneIndigo channel.

👉 Full lesson on YouTube — link in bio

Pentatonic sight singing practice (3 of 8)

one variation at a time. 🎶

Each clip has three passes:
🎵 On Your Own — notation + backing track, no voice
🎵 Sing With Me (top voice) — follow the melody in solfège
🎵 Sing With Me (either voice) — choose your part

This is ear training the way it's meant to work — sound before symbol, melody before theory. Using movable do solfège to connect what you hear to what you read.
Part of the "When I'm Feelin' Pentatonic" series on the tuneindigo channel.

👉 Full lesson on YouTube — link in bio

Pentatonic sight singing practice — one variation at a time. 🎶
Each clip has three passes:
🎵 On Your Own — notation + backing track, no voice
🎵 Sing With Me (top voice) — follow the melody in solfège
🎵 Sing With Me (either voice) — choose your part
This is ear training the way it's meant to work — sound before symbol, melody before theory. Using movable do solfège to connect what you hear to what you read.
Part of the "When I'm Feelin' Pentatonic" series on the tuneindigo channel.
👉 Full lesson on YouTube — link in bio

This week’s YouTube ear training video is about hearing the pentatonic scale BEFORE naming the notes or getting into thinking about it with symbols.

https://youtu.be/Qn0HHks-drM

Instead of starting with facts about the pentatonic scale, I start with a sound: a short melody that lives entirely in the pentatonic world. I sing it first with lyrics, then in solfège — and I invite you to see if you can hold that sound in your ear when it’s over.