Phee Casting Agency

Keep hydrated ✅️

Limpopo based actors and actresses
Limpopo TV

From Management

Note that a haven't yet casted. If anyone claims to be us please don't fall for their scam. We'll let you know when we start scouting and casting as now we're busy preparing next offers for your talents.

At the moment services are the ones offered:
*Z-cards
*Portfoloi/profile
*Artists CV
*Biographies

Kind regards
Mathipa Phishego

What I know about Acting and I call it Acting 101 😊

"Is that the performing art in which movement,movement,gesture,intonation and realizing a fictional character for stage,motion pictures and for television😊

Acting as an activity meaning its a verb technically its a doing word 🎭

Acting involves a broad range of skills, well-developed emotions,physical expressivity,vocal projection, clarity of speech,ability to interpret drama. It also demand an ability to employ dialects, accent,improvisation, observation and emulation,meme and stage combat. That is why most actors train at length in specialist programs (workshops) or colleges to develop this skills☺

That was a free education. Acting I not simple bahlali💛'

ARTISTS Mamitail is looking for an upcoming qghom,commercial or local Artist lady just not hip hop plz she must b around Limpopo a is a paying gig.

Requirements:
*Must be an to last for 30 min on stage
*Energy
*Puntual

If interested inbox with yiur name n address asap.

How Facial Expressions + Emotions Can Help You Connect in Auditions

Facial Expressions

Have you ever looked at someone who is smiling so sincerely that you started smiling as well? Or seen someone crying and had your eyes fill with tears? These are examples of connections through facial expression. The urge to connect this way is so strong that we even create micro-expressions that mimic other people’s faces without them noticing. It’s a very primal way of connecting that started thousands of years ago to show unity and trustworthiness, and it’s still with us today.

Connecting through facial expressions is a way to show the people in the audition room, or watching the tape, that you have the ability to connect to an audience. Many actors though audition with a face that is frozen into a set position, seemingly immovable and definitely not expressive. This is caused, much of the time, by tension. The face contains 57 muscles and as we know, muscles can tense up under pressure. I see actors in waiting rooms stretching their backs, necks, legs, etc. so that their bodies will be energized and support their work in the audition. The face needs that same attention.

It’s not just your back and limbs that carry the tension of your day, so does your face—and in a much more visible way! You need to stretch the muscles of the face to ensure that it is able to move with the emotions of your audition, not stay stuck in some experience you had two hours earlier. Stretch and relax the face by yawning in an exaggerated fashion, by filling the cheeks with air, by rubbing the forehead and jawline, by dropping it into the neck, and releasing as many muscles as possible.

Only then will the emotional life of the piece show on your face and enable the people watching you to match your expressions muscularly and empathetically, creating the deep connection necessary to book the role.

Emotions

When we connect to people with our emotions.

By Management

*Good day Fam*

Hope you're all good. Below is a guide to polish your skills during the holidays & get ready for next year.

*GUIDE TO PERFORMING: ACTING*

Character building and what makes a truly great actor
What makes an actor truly great? The actor's job is to bring a scripted character to life.

Acting technique is paramount to anyone wanting to be a serious actor. It's quite easy to imitate a character or even an emotion, but where's the depth in that? How can you sustain or repeat again what you might have found intuitively? Do you even know what you did or how you did it?
The technique, however, will help you find a character, which in turn informs how you approach the text/script/written word. How do you bring the dialogue alive? How do you know what choices to make? The goal of a trained actor is to become a fully realised three-dimensional character, with a rich backstory. I must believe the character you play is truthful and not a cliche, a caricature, a thin external representation of someone who barely resembles a human being. I must believe what you say is real and that you're not reciting, spouting or commenting.

In order to help you understand, I will lay out the backbone of what I teach my students and around to professional and student actors alike. This is based around Stanislavski's acting technique and his seven questions which, over the years, I have adapted into 10 key acting questions every actor should answer in order to be a fully rounded and connected actor.

1. Who am I?
2. Where am I?
3. When is it?
4. Where have I just come from?
5. What do I want?
6. Why do I want it?
7. Why do I want it now?
8. What will happen if I don't get it now?
9. How will I get what I want by doing what?
10. What must I overcome?

1. WHO AM I?

The first question is dealing with the type of person you are. I'm sure if I asked you that question, you would be able to tell me about your family background, your parents, grandparents, siblings. You would be able t