Vienna Secession

Katherine Hubbard`s exhibition is accompanied by a publication featuring texts by Gregg Bordowitz, Moyra Davey, Megan Hicks, Alhena Katsof, Ulrike Müller, Litia Perta, and Geo Wyexth. The book also includes two conversations between Hubbard and Berger and between Hubbard and the curator Bettina Spörr. Each contribution frames a different perspective on Hubbard’s practice. The publication functions as a reader and companion to the photo book The Great Room, which was published in 2025 by Loose Joints Press. One Fifty One includes an artist intervention by Katherine Hubbard—a series of unique silver gelatin photographs made in the darkroom and reproduced here at 1:1 scale with the original prints depicting hands and forearms coming into contact with the paper.

This publication has been supported by the Capricious Foundation, New York, and , London.

Photo: Iris Ranzinger

Now exhibiting!
Mire Lee
The Heart of My Machine is Golden Lead
26.6. – 30.8.2026

Mire Lee’s large-scale immersive installations are often composed of leaking machines and quasi-organic structures that appear to drip and decay. Broken motorised elements seem to strain under their own operation, resisting the seamless efficiency associated with contemporary technology. In place of polished surfaces and frictionless performance, Mire Lee stages a world of resistance, drag, and deterioration. Her uncanny factory-like scenarios render matter unstable and visceral, evoking bodily fluids, flesh, and industrial waste while acting directly on the viewers’ senses and bodies.

Photo: Iris Ranzinger