Susa

“ Earthy Muse”
Zan collection
by
Tara Rad.
Female body sculpture can be used either as an art object or Vase holder.
Available for purchase online and at Susa art gallery

The original idea behind this collection, titled Location Isolation, began with the
idea that forms and structures can hold their own meaning regardless of
location. Old buildings carry stories beyond political or historical narratives.
Having witnessed different times and people, these spaces change once
transformed into museums, as if someone was evicted, leaving the home
belonging to no one anymore.
Although these houses have been turned into museums, they seem to have lost
the grandeur of life itself, falling into a profound isolation. It is exactly this silence
and absence that inspires imagination, inviting a deeper way of seeing these
homes.
Mona’s photography of these historical locations, combined with
photomontages of historical events, explores recurring moments within the
same spaces. The work reflects the coexistence and continuation of different
lives tied to a single location.
The final layers of color and texture emphasize the most important elements of
the final image.
Photography from Golestan Palace

“Abrakan 19”
By
Peybak
Gesso & Acrylic on cardboard
4 1/2 ”x11 1/2”

“Untitled”
This work begins with an egg; a closed and silent form that has long carried an unseen potential within. Its surface has opened through cracks traced in gold—as if the wound has risen not to be concealed, but to be witnessed. These fractures are not marks of failure; they are traces of time, of pressure, of living.

From either side of this shell, wings begin to emerge—delicate, yet weary. Wings that still bear the lines of fracture, and yet have not abandoned their impulse to unfold. Here, flight is not a sudden leap, but a slow and difficult effort; a movement born from within constraint.

This work takes shape along an unseen boundary between the personal and the collective—where exhaustion and hope coexist. What unfolds on a larger scale finds its echo within; a cycle of endurance, breaking, and the desire for release.

The Simurgh appears here not as a distant myth, but as an inner possibility—a flight that can begin even with fractured wings. This perspective is influenced by the philosophy of Suhrawardi, where liberation does not arrive from the outside, but emerges from within, through the passage across darkness. For the artist, these narratives are not merely sources of inspiration, but lived experiences; each work carrying a trace of this ongoing journey.
By
Sanaz Fehri
From the Painful Rebirth exhibition Susa Art Gallery

City of Lights
By
Sanaz Fehri
Technique : Handmade Ceramics
Available in different sizes
for more information visit our website 💻 www.susaartgallery.com

Babak Yaghoti
49 x 64”
Acrylic & Oil on canvas

Silver Men Accessories
Handmade
By
Sun Nafissi
Available at Susa Art Gallery
💻 For more information visit our website
www.susaartgallery.com ✨🌟

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Quncheh Vase
By
Asal Abbasi

🍀 Enjoy the Outdoors

Handmade oversized Bench
By
Dara Tabrizian
✨Kurdestan Kilim / Handwoven
Heidarian collection
Size : 247x165 cm
Lion series

Mademoiselle
By
Soheyl Bastami
19” x 4” x 3”
Material : Urethane resin
Unique Edition : 16/50
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