Amoralite

Dialogues

The project explores the notion of composition and connection as a central theme creating a space where the boundaries between different artistic forms converse and interact.

Amoralite Collective, as part of the , presents an audiovisual experience at Konstantina Rista Studio, 37 Akropoleos, Kallithea.

Sound curation:
Friday 10.10 — Isoskeles | Kelly Cortese
Saturday 11.10 — Salvi K. | Supercub 90

Both Days . 17:30 – 22:30

Shekine Naidi -
The Fall (2022)
Felt out of goat and sheep wool, printing ink
500 x 100 x 1.5 cm

The “fall” here is not an end, it is something ongoing. A recurring pattern.
A long red felt carpet unfolds on the ground, like a ritual path, a route of power, but also of
sacrifice. Upon it, headless human figures appear in free fall. Without center, without
direction. They are falling, or perhaps they have already fallen.
Each figure seems to repeat the same gesture. A frozen motion, marking a state of collective
instability. The red color evokes blood, royalty, and alarm. This fall is not only physical; it is
social and existential. A continuous slipping from a place we may have never truly known,
toward an end that never quite arrives, but always persists.

- Sacred Bodies

In the hallowed spaces where silence speaks, Sacred Bodies is as a bold interrogation of the long-standing narratives surrounding women and their bodies within the context of the Church. This photographic series captures the raw and unadorned form of a woman within the church—a space that has both sanctified and, paradoxically, marginalized the female body.

It is an exploration of the feminine divine, using the medium of the Támata—traditional votive offerings that embody prayers and thanksgivings. Through these evocative images, the series challenges the traditional dichotomies of sacred and profane, purity and impurity, that have historically governed women’s roles and representations in religious life. The exclusion of women from sacred rites during menstruation, and their barred entry from the sanctum of churches, mirrors broader societal attempts to control and define female sexuality and agency.

The integration of Tamata, with its roots in Eastern Orthodox Christian practices, underscores the tension between the sacred intentions of votive offerings and the sacredness of the female body itself. Each image, encapsulated within a Tama, acts as a prayer for liberation, a silent protest against the constraints imposed by traditional religious dogma.

🌙 with Luna Meta Park & Everland

“In a world which really is topsy-turvy, the true is a moment of the false.” Guy Louis Debord
Luna Meta Park is a large-scale installation consisting of four sculptures, three signs and a projection.

In the exhibition, the central sign of the transitional park created by Sphinxes, to addresses the transformation of the natural, the transition to the digital, and the metastases of the human.

The illuminated sign, standing three meters high at the entrance of the exhibition, signals the audience’s transition into a new realm. In a place of deterritorialization of bodies and their transposition into digital territorialities.

👾Still buzzing from the performances of at .athens