ATOPOS cvc

Still echoing from the opening of αρχείο écho ηχώ xoxo 💫

A few more moments from an evening shaped by poetry, sound, and suspended memories, celebrating the new exhibition by artist-in-residence Théo Robine-Langlois (), curated by Vassilis Zidianakis, alongside a live sound performance by Théo Robine-Langlois and CERB . Through archival paper garments from the ATOPOS cvc collection, the exhibition unfolds as an ongoing dialogue between body, text and image.

Thank you to everyone who joined us and shared in the energy of the night. αρχείο écho ηχώ xoxo continues through upcoming public programs and collective experiences. More soon ✨

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📍 ATOPOS cvc, Polydefkous 41A, Piraeus
📅 Tuesday, May 19, 2026
🕕 Opening hours: 18:00–22:00
🔊 Sound event with Théo Robine-Langlois & CERB at 20:00

ATOPOS cvc announces the opening of αρχείο écho ηχώ xoxo, a new exhibition by artist-in-residence Théo Robine-Langlois, curated by Vassilis Zidianakis.

The exhibition foregrounds archival material from the ATOPOS cvc collection of paper garments, revisited and reactivated after a long period brings them into dialogue with the artist’s ongoing research and residency development. At its core are one-to-one graphic translations of garments rendered as poems, situated between visual poetry and portraiture.

A sound event will take place on May 19th at 20:00, where Théo Robine-Langlois and CERB will blend voices from poets of the 20th century with abstract beats spanning the 1990s to the present day.

The exhibition will be accessible during the public program encouraging embodied and forms of participation. More information will be announced soon.

Photo:Théo Robine-Langlois & ‘Pussy Cat’ poster dress by Harry Gordon, ATOPOS cvc collection

Théo Robine-Langlois, artist-in-residence at ATOPOS cvc, has developed a new image in response to Bob Dylan Poster Dress by Harry Gordon from the ATOPOS cvc collection, in preparation for his upcoming exhibition opening on May 19.
Save the date — more information coming soon.

Part of a series of mod-pop advertisement paper dresses, Poster Dress reflects the experimental spirit of the late 1960s, when fashion, graphic design, and popular culture merged into wearable images. The dress originally came with the statement:
“Should you tire of it, just cut open all the seams and hang it on your wall as a mammoth poster.” Bob Dylan Poster Dress is also part of the MoMA collection.

A detail that inspired Robine-Langlois’ research is Dylan’s iconic sunglasses. Introduced into his style around 1965, the thick, tapered frames coincided with his controversial electric turn and projected a more elusive, tougher image, often paired with all-black outfits influenced by existentialism and the visual culture surrounding the Black Panthers’ impact on American intellectual life, as noted by journalist Tom Wolfe.

Supported by , Robine-Langlois reflects on the archive as a living and active space, where objects can be reinterpreted beyond their original function, connecting fashion,visual poetry and sound.