EXILES

10 Years of EXILES
Kiscelli Múzeum Church Space
From Loss to Acceptance

– Can the memories of a space be rewritten?
– Through obsessive vigils and unfamiliar sorrows.

– Are the wounds of a building ever healed?
– In time, absence becomes structure itself.

– What is damaged can still be sacred?
– The ruined alone can be.

– Is complete reconstruction possible?
– Only once you accept that you are changed forever.

– How to overcome loss?
– Build a church for your grief.

Thank you for listening so long. ❤︎

10 Years of EXILES: Celer (USA) | Ábris Gryllus | Juhász Tamás | elod janky | Natalie Szende | OOO

OOO, aka Márton Csernovszky, may be familiar from bands such as Szodé, Osaka Crack, Mordai, and Kinetic Erotic. As an experienced jazz musician and multi-instrumentalist, Csernovszky playfully mixes lighthearted yet melancholic melodies with heavy, metallic modular synths. He has also composed music for contemporary dance performances by Adél Juhász and Gergő D. Farkas, opened for Tim Hecker at Magyar Zene Háza, moreover, on his debut album (Sírversek I–VI, 2019), we can even hear Górecki-inspired ambient techno.

© .frames

10 Years of EXILES: Celer (USA) | Ábris Gryllus | Juhász Tamás | elod janky | Natalie Szende | OOO

Ábris Gryllus composer and interdisciplinary artist, whose practice spans the fields of sound, visual media, and research-based artistic methodologies. His work explores the intersection of music, data science, and technology, often translating complex systems into immersive audiovisual experiences. He is known for wide-ranging collaborations with choreographers, dancers, and visual artists, creating music for contemporary dance, leading workshops, and presenting sound installations across Europe. His work moves fluidly between experimental music, performance, and installation. As a solo artist, Gryllus produces electronic music under his own name, with releases on labels such as , ’s The Death of Rave, Farbwechsel Records, and EXILES, including works like Canon, Post_, A.D., Nucleus of the Decay (2023), and Relent (2024).

© Gabor Nemerov