Pase

We’re interested in working with sound in space, experimenting with both standard multichannel setups and custom-built systems designed to meet the specific needs of a project, an artist, or a site. In our studio, it’s possible to develop and test sound environments for installations, performances, live electronics, site-specific works… and everything that doesn’t fit into a fixed format.

If that resonates, you’re welcome to reach out and visit the studio!

Voice of Commons - Biennale Architettura 2025 | 19th International Architecture Exhibition - Venezia

Voice of Commons was conceived on the occasion of the Venice Architecture Biennale 2025, through the work of UNA/UNLESS, the studio led by architect and activist Giulia Foscari. At the heart of the project lies the restoration and reactivation of the historic ticket pavilion designed by Carlo Scarpa, transformed for the duration of the Biennale into a platform for broadcasting and listening. A space created to give voice to the Global Commons — the Ocean, the Atmosphere, Outer Space, and Antarctica — and to reflect on their condition as shared, fragile, and interdependent domains. Studio Pase curated the project’s sound identity, envisioning a collective narrative made of voices, thoughts, and diverse perspectives. Today, after the Biennale has come to an end, Voice of Commons continues to live on as a space for listening and deepening: a podcast that keeps an urgent reflection on the commons open and alive.

Listen here: https://open.spotify.com/show/5ytZQZNjnK5ZGETUx6tkDi?si=2b69bee0a0fd4d8f

Voice of Commons is a project by UNA/UNLESS
developed under the patronage of , with the recognition of and endorsed by | Launched as a Special Project of the 19th International Architecture Exhibition of La Biennale di Venezia, curated by Carlo Ratti | Visual identity • Installation production • Sound identity design and technical production .platform • picture

At Pase, we design tools that shape how sound moves through space and interacts with people. From custom interfaces to multichannel systems, our work blends software and hardware in close collaboration with artists and contexts. Flexible, reliable, made to connect, because sound isn’t just heard — it’s inhabited.
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