Wanda Synergy

Wanda Synergy

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We turn dreams into homes, workplaces and play areas through our creative designs and exceptional client centred service.

08/04/2026
17/03/2026

This video has been trending about this chap who has put up a 4 storied mabati wall between him/her and the neighbour who has a block of flats.
So mumekuwa mkiniuliza some interesting questions:

1. Is it legal? It can be legal if you want it to be. (There are many ways to kill a cat). As long as its within their parcel, they have options. Unless its affecting other properties, for instance In 2013, London's 20 Fenchurch Street, better known as the “Walkie-Talkie”building, shocked residents when its curved glass façade focused sunlight into an intense beam, hot enough to melt car parts parked on the street below.

2. Isn't the bungalow guy/chic mean? We really cant know. There may be some scenarios. The bungalow person may not want to be seen (privacy), or the flats residents could be throwing trash swish k**a Steph Curry straight into his compound, or, Just like in campus where curtains would fail people during escapades and tree planting may be visible from the bungalow or vice versa, or peeps just strutting around either digolo when ndethe like a toad,

3. The block of flats could be hideous and is causing mental trauma to the bungalow resident. Instead of an emotionally draining court case, it is probably cheaper to do put those mabatis

4. The wind wont blow it away? Honestly, I don't know. However, the flats are breaking wind quite well, what for sure can pose a problem is that there's now a wind 'tunnel' that can potentially be destructive. I cant see any interventions clearly, but engineers can tell us whether Bernoulli's principle works here where the tunnel with high velocity is a zone of low pressure hence the other side is high pressure and what looks like tension elements hold it back? Same principle as an aircrafts aerofoil, giving it a sideways 'lift'. Wind from the bungalow side are less of a danger as steel is really good with tension. Mabati is also stronger that those PVC chandaruas for billboards that keep being tobolewad holes so that they survive severe storms. I would toboa some holes if i were the bungalow resident.

However, with good planning, vast majority of such occurrences are avoidable. Densities will keep increasing. I am even seeing duplexes in Loresho, 4-6 units in half an acre in Kyuna and spring valley etc.

Its about government listening to town planners' and other construction experts' strategies.

Photos from Wanda Synergy's post 16/03/2026

A staircase is not just a decoration. It is a machine for defeating gravity.

Every building must solve the same simple problem: how human beings move from one level to another without breaking their necks or their budgets. Yet the decision about where the staircase sits, how wide it should be, what shape it takes, and how the landing behaves is often one of the most difficult choices in a house design.

Why?

Because the staircase is constantly negotiating with everything else.
It negotiates with the plot shape and size, the budget, the design brief, the structural strategy, the cost engineering, the skill (or lack of skill-which is in 90% of cases) of the craftsmen and pseudo-craftsmen (and women), and sometimes even the client’s Pinterest board. The result is that something which looks like a simple architectural element quietly becomes a complex spatial chess move.

This is why I occasionally receive requests for spiral staircases on plots that are essentially the size of a thumbnail or smartphone icons. Or demands to place a staircase in a location that eats up huge chunks of circulation space.

Circulation space, for those not in the building industry, is simply the area a building sacrifices so human beings can move around it. Corridors, lobbies, stair halls. All the places where people pass through rather than live in.

And here is the uncomfortable economic truth.

Circulation increases plinth area.

Plinth area increases cost.

Which brings us to the favourite Kenyan phrase: “I want to build but I don’t have money.”

Excellent. Then the staircase must immediately resign from the position of architectural ornament and accept its new job as pure utility.

In the affordable house playbook the rules are simple. Reduce the size of the house. Reduce structural spans. Use small windows. Use those mysterious 2.5mm glasses that shatter when a toddler throws a tennis ball. Hire questionable artisans for finishes because the rug will cover the floor anyway. Install roofing that will need replacing in five years but at least you are not paying rent.

And of course, the national strategy: copy your neighbour.
After all, the stone in Runda costs the same as the stone in Mowlem, and in modern construction in Kenya that is borderline 'world class', walling barely contributes three to five percent of the building cost anyway. So if experimentation threatens the budget, the real solution is simple.

Get a good design.

Because when funds are tight, the staircase should stop trying to be a sculpture and start behaving like a reliable tool. Let it do what it was born to do: help you conquer gravity in small manageable bursts of energy as you move through your home/building.
Place it logically. Centralize it where possible. Let it borrow natural light. And at night, let a simple motion sensor gently illuminate the risers so you do not need to flood the entire house with light just because you wanted a midnight snack.

Your teeth will thank you for it.

Because nothing humbles a grown adult faster than missing a step in the dark and introducing their face to ceramic tiles.

And sometimes, the design brief we insist on begins to resemble a very famous nursery rhyme character walking into a kinyozi.

Imagine Humpty Dumpty strolling confidently into a barber shop and asking for a sharp box hairstyle.

Technically, the barber can attempt it. Clippers can move. Lines can be drawn. Geometry can be forced.

But everyone in the room knows the truth.

The problem was never the haircut.

The problem was the head.

Some dreams in construction behave exactly like that. The client becomes so determined to force a fashionable feature onto a reluctant building that the entire project begins to twist itself around the wrong priority. The staircase becomes theatrical, the circulation explodes, the plan becomes inefficient, and the house quietly mutates into a daily reminder of a decision that looked clever on paper.

And unlike a bad haircut, a badly conceived building does not grow back in two weeks.

You live with it.

Which brings us back to where we began.

A staircase is not merely decoration. It is a machine for defeating gravity.

Design it wisely, and it will quietly serve your house for generations. Ignore its logic, and one day gravity and perhaps Humpty Dumpty’s barber will remind you who the real architect of the universe is.

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