UST Vision Magazine

UST Vision Magazine

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UST VISION MAGAZINE is the official publication of University of Santo Tomas College of Architecture.

28/10/2025

โ€œ๐˜ˆ ๐˜จ๐˜ฐ๐˜ฐ๐˜ฅ ๐˜ข๐˜ณ๐˜ค๐˜ฉ๐˜ช๐˜ต๐˜ฆ๐˜ค๐˜ต ๐˜ต๐˜ฆ๐˜ญ๐˜ญ๐˜ด ๐˜ข ๐˜จ๐˜ฐ๐˜ฐ๐˜ฅ ๐˜ด๐˜ต๐˜ฐ๐˜ณ๐˜บ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ด๐˜ต๐˜ฐ๐˜ณ๐˜บ ๐˜ช๐˜ด ๐˜ต๐˜ฐ๐˜ญ๐˜ฅ ๐˜ต๐˜ฉ๐˜ณ๐˜ฐ๐˜ถ๐˜จ๐˜ฉ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ด๐˜ฌ๐˜ฆ๐˜ต๐˜ค๐˜ฉ๐˜ฆ๐˜ด ๐˜ฐ๐˜ง ๐˜ฐ๐˜ถ๐˜ณ ๐˜ช๐˜ฅ๐˜ฆ๐˜ข๐˜ด.โ€

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In an age where technology renders ideas with near-perfect precision, the UST College of Architecture revisited the power of imperfection โ€” the hand-drawn line, the raw sketch, the story told through strokes.

Held at the Beato Angelico Building, the event featured Ar. Pavel A. Fomenko as guest speaker, alongside Ar. Caryn Santillan and Ar. Arvin Pangilinan. Entitled โ€œ๐—”๐—ฟ๐—ฐ๐—ต๐—ถ๐˜๐—ฒ๐—ฐ๐˜๐˜‚๐—ฟ๐—ฎ๐—น ๐—ฆ๐—ธ๐—ฒ๐˜๐—ฐ๐—ต๐—ถ๐—ป๐—ด ๐—ฎ๐—ป๐—ฑ ๐˜๐—ต๐—ฒ ๐—ฃ๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐——๐—ฒ๐˜€๐—ถ๐—ด๐—ป ๐—ก๐—ฎ๐—ฟ๐—ฟ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ฒโ€, the event gathered architects and students to explore how sketching remains a vital language of design even in the digital era.

Ar. Fomenko opened with a simple yet profound idea: โ€œ๐˜ˆ ๐˜จ๐˜ฐ๐˜ฐ๐˜ฅ ๐˜ข๐˜ณ๐˜ค๐˜ฉ๐˜ช๐˜ต๐˜ฆ๐˜ค๐˜ต ๐˜ต๐˜ฆ๐˜ญ๐˜ญ๐˜ด ๐˜ข ๐˜จ๐˜ฐ๐˜ฐ๐˜ฅ ๐˜ด๐˜ต๐˜ฐ๐˜ณ๐˜บ, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ด๐˜ต๐˜ฐ๐˜ณ๐˜บ ๐˜ช๐˜ด ๐˜ต๐˜ฐ๐˜ญ๐˜ฅ ๐˜ต๐˜ฉ๐˜ณ๐˜ฐ๐˜ถ๐˜จ๐˜ฉ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ด๐˜ฌ๐˜ฆ๐˜ต๐˜ค๐˜ฉ๐˜ฆ๐˜ด ๐˜ฐ๐˜ง ๐˜ฐ๐˜ถ๐˜ณ ๐˜ช๐˜ฅ๐˜ฆ๐˜ข๐˜ด.โ€ To him, sketches are more than visual studies โ€” they are narrative devices, translating the architectural thought into something clear, self-explanatory, and human. Sketching, he emphasized, helps us communicate โ€” not only to clients or peers but to ourselves, as a means to understand the spaces we imagine. Through sketches, architects study the technicalities of form, light, and space โ€” but more importantly, they build the narrative thread that connects concept to community. โ€œ๐˜ ๐˜ฐ๐˜ถ๐˜ณ ๐˜ฅ๐˜ฆ๐˜ด๐˜ช๐˜จ๐˜ฏ ๐˜ฏ๐˜ข๐˜ณ๐˜ณ๐˜ข๐˜ต๐˜ช๐˜ท๐˜ฆ,โ€ he shared, โ€œ๐˜ช๐˜ด ๐˜ต๐˜ฉ๐˜ฆ ๐˜ด๐˜ต๐˜ฐ๐˜ณ๐˜บ ๐˜บ๐˜ฐ๐˜ถ ๐˜ธ๐˜ข๐˜ฏ๐˜ต ๐˜ต๐˜ฐ ๐˜ต๐˜ฆ๐˜ญ๐˜ญ ๐˜ต๐˜ฐ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฑ๐˜ฆ๐˜ฐ๐˜ฑ๐˜ญ๐˜ฆ.โ€

In his talk, Ar. Fomenko shared a personal experiment โ€” a series of handmade paintings of industrial landscapes. By scanning these and running them through AI, he transformed them into something cinematic, revealing how digital tools can amplify, not replace, the artistโ€™s hand. โ€œ๐˜ ๐˜ฐ๐˜ถ ๐˜ด๐˜ฉ๐˜ฐ๐˜ถ๐˜ญ๐˜ฅ ๐˜ฅ๐˜ฆ๐˜ง๐˜ช๐˜ฏ๐˜ช๐˜ต๐˜ฆ๐˜ญ๐˜บ ๐˜ฆ๐˜น๐˜ฑ๐˜ฆ๐˜ณ๐˜ช๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต, he encouraged. โ€œ๐˜‹๐˜ฐ๐˜ฏโ€™๐˜ต ๐˜ฃ๐˜ฆ ๐˜ข๐˜ง๐˜ณ๐˜ข๐˜ช๐˜ฅ. ๐˜๐˜ตโ€™๐˜ด ๐˜ฏ๐˜ฐ๐˜ต ๐˜จ๐˜ฐ๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ฐ ๐˜ณ๐˜ฆ๐˜ฑ๐˜ญ๐˜ข๐˜ค๐˜ฆ ๐˜ข๐˜ฏ๐˜บ๐˜ต๐˜ฉ๐˜ช๐˜ฏ๐˜จ.โ€ He explained that AI works on ideas โ€” it builds upon the intellectual premise that an architect sets. โ€๐˜๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜ช๐˜ฅ๐˜ฆ๐˜ข ๐˜ช๐˜ด ๐˜ค๐˜ญ๐˜ฆ๐˜ข๐˜ณ,โ€ ๐˜ฉ๐˜ฆ ๐˜ด๐˜ข๐˜ช๐˜ฅ, โ€œ๐˜ต๐˜ฉ๐˜ฆ๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ˆ๐˜ ๐˜ธ๐˜ช๐˜ญ๐˜ญ ๐˜ฅ๐˜ฐ ๐˜ข ๐˜จ๐˜ฐ๐˜ฐ๐˜ฅ ๐˜ซ๐˜ฐ๐˜ฃ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ต๐˜ข๐˜ฌ๐˜ฆ ๐˜ช๐˜ต ๐˜ต๐˜ฐ ๐˜ข๐˜ฏ๐˜ฐ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ ๐˜ญ๐˜ฆ๐˜ท๐˜ฆ๐˜ญ. ๐˜‰๐˜ถ๐˜ต ๐˜ช๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜ช๐˜ฅ๐˜ฆ๐˜ข ๐˜ช๐˜ด ๐˜ง๐˜ถ๐˜ป๐˜ป๐˜บ, ๐˜ต๐˜ฉ๐˜ฆ ๐˜ˆ๐˜ ๐˜ธ๐˜ช๐˜ญ๐˜ญ ๐˜ฐ๐˜ฏ๐˜ญ๐˜บ ๐˜ค๐˜ณ๐˜ฆ๐˜ข๐˜ต๐˜ฆ ๐˜ข ๐˜ง๐˜ถ๐˜ป๐˜ป๐˜บ ๐˜ณ๐˜ฆ๐˜ด๐˜ถ๐˜ญ๐˜ต.โ€ For him, it all comes down to clarity of thought โ€” the same kind that defines an engineerโ€™s diagram or an architectโ€™s conceptual sketch. His message was simple: focus on the idea, keep it simple, and be fearless about it.

Following the main talk, Ar. Caryn Santillan and Ar. Arvin Pangilinan joined the round table discussion, offering their insights on how AI continues to transform architectural workflows โ€” much like how BIM revolutionized practice years ago. โ€œ๐˜ˆ๐˜ ๐˜ธ๐˜ฐ๐˜ฏโ€™๐˜ต ๐˜ต๐˜ข๐˜ฌ๐˜ฆ ๐˜ฐ๐˜ท๐˜ฆ๐˜ณ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ซ๐˜ฐ๐˜ฃ๐˜ด ๐˜ฐ๐˜ง ๐˜ข๐˜ณ๐˜ค๐˜ฉ๐˜ช๐˜ต๐˜ฆ๐˜ค๐˜ต๐˜ด,โ€ they remarked. โ€œ๐˜๐˜ตโ€™๐˜ด ๐˜ข๐˜ฏ ๐˜ข๐˜ฎ๐˜ฑ๐˜ญ๐˜ช๐˜ง๐˜ช๐˜ฆ๐˜ณ ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜ข๐˜ณ๐˜ค๐˜ฉ๐˜ช๐˜ต๐˜ฆ๐˜ค๐˜ตโ€™๐˜ด ๐˜ค๐˜ณ๐˜ฆ๐˜ข๐˜ต๐˜ช๐˜ท๐˜ฆ ๐˜ฎ๐˜ช๐˜ฏ๐˜ฅ.โ€

When asked how to overcome creative blocks in sketching, the panel left a line that lingered long after the discussion: โ€œ๐˜•๐˜ฆ๐˜ท๐˜ฆ๐˜ณ ๐˜ด๐˜ต๐˜ฐ๐˜ฑ ๐˜ฉ๐˜ข๐˜ญ๐˜ง๐˜ธ๐˜ข๐˜บ.โ€ Creativity, they said, thrives on movement โ€” once an idea begins to roll, it only grows stronger, evolving toward completion.

In the end, the event was more than a talk; it was a poignant reminder of where design truly begins โ€” that in every line drawn lies intention, and in every stroke, a story. Whether guided by the hand or enhanced by technology, architecture remains an act of storytelling โ€”๐˜ฅ๐˜ช๐˜ข๐˜ญ๐˜ฐ๐˜จ๐˜ถ๐˜ฆ ๐˜ฃ๐˜ฆ๐˜ต๐˜ธ๐˜ฆ๐˜ฆ๐˜ฏ ๐˜ท๐˜ช๐˜ด๐˜ช๐˜ฐ๐˜ฏ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ณ๐˜ฆ๐˜ข๐˜ญ๐˜ช๐˜ต๐˜บ. Because at its core, architecture isnโ€™t just about building structures โ€” itโ€™s about building meaning. And in the roughest of sketches lie the first words of a story, reminding us [students] that even in the digital age, the most powerful design tools remain the same: ๐—ฎ ๐—ฝ๐—ฒ๐—ป๐—ฐ๐—ถ๐—น, ๐—ฝ๐—ฎ๐—ฝ๐—ฒ๐—ฟ, ๐—ฎ๐—ป๐—ฑ ๐—ฎ ๐—ฐ๐—ฟ๐—ฒ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ฒ ๐—บ๐—ถ๐—ป๐—ฑ.

โœ Zsoren Sim
๐Ÿ“ท Drin Acuรฑa

17/10/2025

Like a real Kung Fu Master soaring with grace ๐Ÿผโ›ฉ๏ธ, every flap of your wings is an emblem of discipline, creativity, and purpose. โœจ Be ready, spread your wings wide, and fly with us to the ๐—•๐—ฒ๐—ฎ๐˜๐—ผ ๐—”๐—ป๐—ด๐—ฒ๐—น๐—ถ๐—ฐ๐—ผ ๐—š๐—ฎ๐—น๐—น๐—ฒ๐—ฟ๐˜† for ๐—ฉ๐—œ๐—ฆ๐—œ๐—ข๐—ก, where stories take flight.

Visit our booth from October 15-18, 2025! ๐Ÿ—“๏ธ Donโ€™t stay grounded ๐Ÿ˜‰, soar higher, and ๐—ฏ๐—ฒ๐—ฐ๐—ผ๐—บ๐—ฒ ๐—ฎ ๐—ฉ๐—ถ๐˜€๐—ถ๐—ผ๐—ป๐—ฎ๐—ฟ๐˜† ๐˜๐—ผ๐—ฑ๐—ฎ๐˜†! ๐Ÿ“–

๐ŸŽจ Zoe Herrera
โœ๏ธ Mira Elopre

15/10/2025

Although feathers may fall, your wisdom must not falter

Hey there, Arkis! Hereโ€™s a game! ๐Ÿคฉ

Flap your wings, weโ€™ll soar the skies,
But use your knowledge to see the Vision ahead
Because today's training sharpens the mind. ๐Ÿค”

So be smart, young masters, ๐Ÿง
Carefully read the mechanics ๐Ÿ”Ž
And be the one worthy of the prize! ๐Ÿ†

๐ŸŽจ Zoe Herrera
โœ๏ธ Zsoren Sim

15/10/2025

Quills of Vision are now pointing your way

If you've got an eye for vision and a passion for narration, this is your moment to step behind the pages.

Vision Magazine now opens the Application for Editorial Associates for the A.Y. 2025-2026! Join us and be part of the team that captures perspectives, narrates experiences, and brings visions to life.

Click the link below or scan the QR code to access the application form

https://bit.ly/VisMag_EA_Application25-26
https://bit.ly/VisMag_EA_Application25-26
https://bit.ly/VisMag_EA_Application25-26

Together, let us shape the voice, capture the spirit, and tell the story of our college โ€” one issue at a time.

Be a Visionary and soar with us!!!

๐ŸŽจ Mikaela Leviste
โœ๏ธ Zsoren Sim

15/10/2025

The feathers are now turned into quills

Vision Magazine strikes once more, and it's gonna be crane-tastic. Marked with creativity and inked with passion we are ready to bring Vision to your Vision, but we still lack the most important piece โ€” you!!

A quill is already reached out to you. So don't just just watch us, join us as we celebrate the Annual Recruitment Fair 2025 from the 13th until the 18th of October. Together lets bring Vision to greater heights as we soar the vast skies of possibilities.

The skyโ€™s the limit so come on Visionaries, soar with us!

๐ŸŽจ Zoe Herrera
โœ๏ธ Zsoren Sim

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