Tangaj Collective

For our first interview here, in Ecuador, for „Women at Work — Crossroads, Rhythms, and Continuities”, we visited Carol and discovered her story: she’s an artisan, a football player, a mother, a daughter, and above all, part of the Sacha Wasi community and of the Amazonian jungle.

She shared with us the way in which she was taught to make jewelleries when she was ten years old and how this became one of her main jobs and a way of supporting her family.

Besides this,, she enjoys playing football with her friends, listening to music and doing construction work.

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The activity is part of the multi-annual program Body Narratives. Collective Actions (2025–2026), co-financed by . The project does not necessarily represent the position of the Administration of the National Cultural Fund. AFCN is not responsible for the content of the project or the manner in which the project results may be used. These are entirely the responsibility of the beneficiary of the funding.

Come join .brazz and for fragments in a loop from “The Choreography of Water” at .fair ✨ Building on a new performative installation based on this research this autumn in collaboration with ☄️

🗓️ 25/04/2026 | 21:00
📍 RAD Pavilion, Caro

created by .vreme.moser and

Gratitude to and for the invite and organisation.

These days we’re in Ecuador, where we’re continuing the open video archive Women at Work — Crossroads, Rhythms, and Continuities. First stop: Quito. Next: Sacha Wasi, deep in the Amazon.

On April 13, Universidad San Francisco de Quito became a temporary meeting point: and opened the process and talked about the importance of sharing personal stories told by women from Latin America and Eastern Europe in an academic context and they talked about work, choreography and, most of all, they touched on what it means to connect work, women, economy and culture through art.

The presentation explored technical and conceptual decisions in the working process, as well as research methodologies and curatorial choices in presenting and sharing the work with the public.
Grateful to .c from and for organising such an important knowledge exchange.
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The activity is part of the multi-annual program Body Narratives. Collective Actions (2025–2026), co-financed by . The project does not necessarily represent the position of the Administration of the National Cultural Fund. AFCN is not responsible for the content of the project or the manner in which the project results may be used. These are entirely the responsibility of the beneficiary of the funding.