Mamo

While we work with clay, our minds tend to control, shape, and smooth it. It is human nature to try and achieve the ‘perfect’ smooth symmetry work. My work is everything against that.

I love letting the clay be clay. I love visible fingerprints, the asymmetry form. I love the wobbly shape made by the clay sinking to itself, and I love white glaze. (Maybe white for interior is like wearing black in fashion? It catches light so well. I have like 100 versions of white glaze in my studio)

The love for wobbly clay is why I created my shop. Each piece is a little reminder to celebrate the imperfections.