Drawing as Crossing
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24/03/2026
LIVING LINES (Nyero rock paintings)
The two weeks of my research concluded with a presentation of the project developed around the Nyero Rock Paintings. This moment provided an opportunity to share the main questions, methodologies, and initial reflections that have emerged from my engagement with the site, particularly regarding the symbolic, spatial, and cosmological dimensions of rock art.
It also created a space for dialogue and feedback, allowing me to exchange with the audience on the cultural significance of these paintings and their relevance to contemporary artistic practice. This presentation marked an important step in articulating the direction of my research, while opening new perspectives for further investigation, collaboration, and the continued development of my practice.
I would like to express my sincere gratitude to for providing the space and support that made this occasion possible.
๐ป๐๐๐ ๐๐๐๐๐๐๐๐ was ๐๐๐๐๐๐๐๐๐
๐๐ ๐๐๐ ๐จ๐๐๐๐๐-๐ฌ๐๐๐๐๐ ๐ท๐๐๐๐๐๐๐๐๐๐๐ ๐๐๐ ๐ช๐๐๐๐๐๐: ๐บ๐๐-๐บ๐๐๐๐๐๐ ๐จ๐๐๐๐๐, ๐ช๐๐๐๐๐๐ & ๐ช๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐, ๐๐๐๐
๐๐
๐๐ ๐๐๐ ๐ฌ๐๐๐๐๐๐๐ ๐ผ๐๐๐๐, ๐๐๐๐๐๐๐๐๐๐๐
๐๐ ๐๐๐ ๐ฎ๐๐๐๐๐-๐ฐ๐๐๐๐๐๐๐, ๐ฌ๐๐๐๐๐๐๐๐ ๐ญ๐๐๐๐๐ ๐๐๐
๐ฐ๐๐๐๐๐๐๐ ๐๐๐๐รง๐๐๐.
๐ธ .adrian
Drawing-conversation in Basel Nยฐ003, drawing-performance, Sixte Kakinda, 2025.
Let's think of drawing not as an act of isolation but rather as an act of gathering, of community. Let's think of drawing as a space for meeting, convergence and conversation.
Drawing-conversation in Basel Nยฐ002, drawing-performance, Sixte Kakinda, 2025.
Let's think of drawing not as an act of isolation but rather as an act of gathering, of community. Let's think of drawing as a space for meeting, convergence and conversation.
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