Virtual Photo & Video
Photo & Video Service Mi nombre es Jhojan Coronado y soy un fotógrafo. Tengo muchos intereses fuera de la fotografía, pero fue mi primer amor.
03/16/2026
Aqui no mas, pasando el rato con el amigo Bad Bunny, vamos con todo...
02/25/2026
Ultra-realistic IMAX Hollywood cinematic epic poster, hyper-detailed and ultra-dramatic, focusing entirely on Cleopatra portrayed by Sweetny Sweet and the Pharaoh in an intimate and theatrical composition.
The Pharaoh modeled 100% on Jhojan Coronado’s exact facial features and physical characteristics no reshaping. Regal presence, masculine posture, strong stance, composed authority mixed with intrigue and subtle emotional intensity. Defined jawline, natural skin texture, realistic hair detail, muscular but refined royal physique, wearing detailed golden Egyptian armor with engraved hieroglyphics and royal ornaments.
Dramatic high-contrast lighting with golden highlights and deep shadows, warm torchlight reflections illuminating eyes, lips, skin textures, hair strands, fabrics, and polished gold ornaments.
Ultra-realistic 8K rendering, hyper-detailed anatomy, immersive IMAX perspective, subtle cinematic atmospheric haze for an ethereal aura, refined Hollywood color grading, intense emotional tension, theatrical intimacy, royal luxury, sensual elegance without explicitness.
02/22/2026
The character is violently emerging from a large metallic high-tech cylindrical tank filled with glowing blue liquid inside a futuristic sci-fi laboratory. Liquid splashing outward dynamically, steam and v***r rising around the body, dramatic motion and energy.
Wearing military dog tags around the neck. Adamantium claws extending from the knuckles, metallic, sharp, reflective, detailed. Intense screaming expression of rage toward the camera, jaw tense, neck muscles and tendons visible, eyes filled with fury.
Cinematic lighting with cold blue tones from the liquid and high-contrast dramatic rim light. Futuristic laboratory environment with holographic screens, cables, metallic structures, and industrial sci-fi atmosphere.
02/16/2026
Hyper-realistic cinematic vertical shot, dark humorous scene inspired by Edward Scissorhands.
Edward Scissorhands (Johnny Depp likeness) is actively cutting his hair, fully focused, scissor blades moving fast and dangerously close to the man’s ears, neck.
Hair flies through the air in sharp clumps, frozen mid-motion, some strands already cut unevenly.
The man wears white t-shirt, blue denim pants,, expression halfway between panic and forced calm, one eyebrow raised, lips tight. Tattooed arms.
Standing inside the stadium during Super Bowl 2026 felt unreal, like time slowed and everything glittered. The lights burned bright, fireworks stitched the night sky, and the crowd moved as one massive heartbeat. Music thundered, cameras flashed, and the air smelled like celebration and history colliding. Sharing the moment with iconic artists and thousands of fans made it bigger than football; it became culture, energy, legacy. Every cheer echoed ambition, every smile felt earned. Holding the phone for that photo captured more than faces, it captured proof that dreams travel far when preparation meets opportunity. In that instant, noise faded, gratitude took over, and I realized moments like this are not watched, they are lived, remembered, and carried forward forever.
02/09/2026
Cinematic hyperrealistic full-speed action scene.
The protagonist is driving at top speed an iconic black supercar with retro cartoon design, identical in shape and proportions to the vehicle in the fifth reference image, adapted to extreme hyperrealism.
Aggressive driving posture, body leaning forward, both hands firmly gripping the steering wheel, intense and determined expression.
The protagonist wears dark modern tactical clothing.
Passengers:
• In the copilot seat sits Doc Brown (Back to the Future) — hyperrealistic reinterpretation, wild white hair, aged expressive face, eccentric grin, darkened futuristic version of his classic outfit, leaning forward with manic excitement, enjoying the chaos.
• In the back seat sits Marty McFly (Back to the Future) — hyperrealistic, youthful but stressed expression, classic outfit reinterpreted in a darker, cinematic tone, bracing himself as the car accelerates violently.
Camera placed inside the car, identical framing to the fifth reference image: front three-quarter flat angle, wide cinematic lens.
Extreme sensation of speed with heavy motion blur on the environment, vibrating interior, sparks, dust, and mechanical tension.
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Ashburn, VA
22003