Curt Hansen
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But most dancers only train one.
Acro is scheduled.�Rehearsed.�Expected.
Singing?
It gets pushed off…
�until it suddenly matters.
And then it feels like a big, high-pressure moment.
Not because they can’t do it.
�But because they haven’t trained it the same way.
Singing isn’t a bonus skill.
It’s part of being a complete performer.
The dancers who can do both are the ones who stand out.
Comment TRAINING and I’ll send you the link to register for my Parent Industry Training — I’ll show you how dancers are actually making this work without adding more to their schedule.
They’re too busy for “singing lessons” that were never built for dancers.
Traditional “singing lessons” weren’t built for competitive dancers.
They were built for kids with time to drive to a lesson every week.
Not dancers training 20–30 hours a week.
Comment “TRAINING” and I’ll send you a link to register for my LIVE Parent Industry Training — I’ll show you how dancers are actually making this work without adding more to their schedule.
03/20/2026
Most dancers don’t avoid singing because they don’t care…
They avoid it because:
👉they’re busy
👉they don’t know where to start
👉it never feels like the “right time”
So it gets pushed off…Until they suddenly need it.
And that’s when it feels stressful, uncomfortable, and unfamiliar.
The truth is — singing shows up just as often as skills like acro in today’s industry.
But most dancers aren’t training it consistently.
I’m hosting a Free Parent Industry Training, Thursday 3/26 where I’ll break down:
• how singing can actually fit into a dancer’s crazy schedule
• why it feels so hard for them to be heard
• and what dancers should be doing now to stay ahead
Comment “TRAINING” and I’ll send you the link to join.
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Buffalo, NY
142XX
