EAM Illuminations

This weekend is your last chance to see this moving production!

This is the final weekend to see A Moon for the Misbegotten. Only 3 days until the final showing!

The Hogan family is barely scraping by on their meager tenant farm in the years following the Great War and Spanish Flu pandemic. When Josie and her father, roughened by loss and the land, catch wind that their farm is at risk of being sold out from under them, they conspire to blackmail rich landowner Jim Tyrone. Moonshine flows, hearts spill, and truths reveal a powerful elegy of humanity, grief, and loneliness. Four-time Pulitzer Prize-winner and Nobel laureate Eugene O’Neill’s bittersweet A Moon for the Misbegotten “is singular within its author’s body of work for its forgiving spirit” (The New York Times).

To get tickets, call: 303-800-6578
Book the best seats with season pass: http://bit.ly/3wz9oAj
Book single tickets here: http://bit.ly/3Dn1qOJ

Tonight we’re kicking off Opera Steamboat’s Summer Opera Festival with La Bohème! This massive show was definitely a challenge to put up in a festival setting, but it has been such a pleasure to work with this creative team and to get a deeper understanding of one of my favorite musicals, Rent. Here’s a sneak peek of our production, set in 1970’s San Francisco. You don’t want to miss this amazing performance tonight only!

Direction: David Toro
Stage Management: Lauren Cernik-Price
Scenic Design: Roger Hana
Costume Design: Madison Booth
Lighting Design: Emily A. Maddox

It’s opening night for Five Guys Named Moe at the Schoolhouse Theatre in Parker! This is a super fun show with an amazing cast! It was such a pleasure to be a part of the design team for this one! Come see what Vintage Theatre Productions has been working so hard on!

Today is the first day of tech for the first real show I've designed since January of 2020. The past 16 months have been immeasurably difficult. I had so many shows lined up last year that had to be canceled. So many unrealized designs. So many stories I didn't get to explore. It was difficult to set my career aside for so long. I missed the thrill of opening night, the sound of a live audience, even the menial task of mopping a stage. I missed my colleagues. My lightboard. My art. It’s so fitting that I get to jump back into live theatre with a show that focuses on the importance of music and art and their relationship to health and wellness. Today I get to start telling the story of The Man Who Mistook His Wife For a Hat. Today I get to create my art.