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Sarah Meyohas

Sarah Meyohas

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I recently gave a talk on my work for @notionhq, on the occasion of ‘Her Dark Materials’ at @jessicasilvermangallery in San Francisco. My plotter pastel drawings are on view through October 25th alongside extraordinary works by @alisonelizabethtaylor @ga_hee_park_ @rmanson @annageestudio. Though we each work in distinct media—clay, wood, oil, pastel—we are bound by a shared spirit of innovation in our forms. 03/09/2026

I recently gave a talk on my work for @notionhq, on the occasion of ‘Her Dark Materials’ at @jessicasilvermangallery in San Francisco. My plotter pastel drawings are on view through October 25th alongside extraordinary works by @alisonelizabethtaylor @ga_hee_park_ @rmanson @annageestudio. Though we each work in distinct media—clay, wood, oil, pastel—we are bound by a shared spirit of innovation in our forms.

monthly delivery, annual appearance 😘 @artforum 03/09/2026

monthly delivery, annual appearance 😘 @artforum

New work @artbasel with @marianneboeskygallery “It’s the time you spent on your rose that makes her so important” - Antoine De Saint Exupéry 03/09/2026

New work @artbasel with @marianneboeskygallery “It’s the time you spent on your rose that makes her so important” - Antoine De Saint Exupéry

🔗 Link in bio, @artnet on @_desertx by @sarahecascone Excerpt: “Set on the side of the road in Palm Desert, amid the sparsely vegetated sands, the work unfurls like a ribbon, a pathway rising up from the ground to become an undulating wall that you can walk beside. Nestled in each serpentine curve is a mirrored disc planted in the ground, reflecting sunbeams onto the white wall—but almost by magic, the light has been manipulated, so that it forms patterns and messages, revealing the work’s title, Truth Arrives in Slanted Beams. The effect is so crisp and clean that it takes a moment to realize how remarkable it is. The rays of the sun, bouncing off a mirrored surface that’s been milled to absolute precision, and reflecting a legible message—no projections, no animations, no lens. It’s achieved through the magic of caustics. It’s okay if you have no idea what that is. I didn’t either. “The simplest example that you know of is the patterns at the bottom of a swimming pool,” Meyohas explained. “The light moving, getting distorted through the water? That’s caustics.” …. Visitors to the artwork are able to manipulate the work’s six metal discs themselves, capturing the light of the sun and watching as it is transformed into a legible image as it hits the walls. The result feels like a mirage, the words and images shimmering improbably, almost like water hidden in the desert. “I had a little kind of gut feeling that if I started using this technology indoors with artificial light, it wouldn’t convey the technical prowess,” Meyohas said. “The only way I wanted to do this would be outdoors with the sun. Then, you’re tapping into a whole other language of Land Art, sundials, the Nazca lines, and being connected to this sort of celestial equation, rather than just pointing flashlights.”” 03/09/2026

🔗 Link in bio, @artnet on @_desertx by @sarahecascone Excerpt: “Set on the side of the road in Palm Desert, amid the sparsely vegetated sands, the work unfurls like a ribbon, a pathway rising up from the ground to become an undulating wall that you can walk beside. Nestled in each serpentine curve is a mirrored disc planted in the ground, reflecting sunbeams onto the white wall—but almost by magic, the light has been manipulated, so that it forms patterns and messages, revealing the work’s title, Truth Arrives in Slanted Beams. The effect is so crisp and clean that it takes a moment to realize how remarkable it is. The rays of the sun, bouncing off a mirrored surface that’s been milled to absolute precision, and reflecting a legible message—no projections, no animations, no lens. It’s achieved through the magic of caustics. It’s okay if you have no idea what that is. I didn’t either. “The simplest example that you know of is the patterns at the bottom of a swimming pool,” Meyohas explained. “The light moving, getting distorted through the water? That’s caustics.” …. Visitors to the artwork are able to manipulate the work’s six metal discs themselves, capturing the light of the sun and watching as it is transformed into a legible image as it hits the walls. The result feels like a mirage, the words and images shimmering improbably, almost like water hidden in the desert. “I had a little kind of gut feeling that if I started using this technology indoors with artificial light, it wouldn’t convey the technical prowess,” Meyohas said. “The only way I wanted to do this would be outdoors with the sun. Then, you’re tapping into a whole other language of Land Art, sundials, the Nazca lines, and being connected to this sort of celestial equation, rather than just pointing flashlights.””

Photos from Sarah Meyohas's post 09/14/2025

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09/14/2025

Los Angeles, California, United States • Callbox Inc
As an accomplished sales and marketing professional, I previously served as the VP of... • Experience: Callbox Inc -

09/14/2025

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09/14/2025

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