Reavis Page Jump LLP

The 2026 Tribeca Festival lineup is here, and we’re proud to celebrate an outstanding slate of RPJ clients premiering this year.

From “Born Melo,” a moving documentary on Carmelo Anthony’s legacy and his son’s emerging basketball journey, to “Kids Like Me,” “Haunting of Pennhurst,” “Jean-Michel,” and “Bang My Box: The Robin Byrd Story,” these films span powerful documentary storytelling, cultural portraiture, and bold narrative vision.

We’re honored to support the filmmakers and creative teams behind these projects as they bring their work to Tribeca this June.

To read more and get links to tickets, click the link in bio.

RPJ is proud to celebrate Nicole Page on her recognition by The as one of New York’s most powerful entertainment attorneys!

Ms. Page continues to be a driving force behind some of the most ambitious and groundbreaking productions in entertainment. As longtime counsel to climber and filmmaker Alex Honnold, Nicole played a key role in structuring the deals behind Skyscraper Live, the high-stakes Netflix livestream that drew more than six million viewers as Honnold completed a free solo climb with no ropes, no safety net, and no margin for error.

In addition to representing Honnold for more than a decade, Ms. Page and the RPJ team represent Words + Pictures on a slate of major productions, including NASCAR: The Daytona 500 for Amazon, Miracle: The Boys of ’80, and Hulk Hogan: Real American for Netflix.

We are thrilled to see Ms. Page’s work recognized on such a prominent stage and congratulate her on this well-deserved honor.

After more than a decade of litigation, the New York Supreme Court ruled that Modigliani’s “Seated Man With a Cane” was Nazi-looted art and must be returned to the Estate of Oscar Stettiner. RPJ congratulates the Stettiner Estate and its tenacious advocates and research team, including long-time friend Geri S. Krauss working from New York, who labored for a decade to achieve this important win.

To read more about the case, read the full New York Times article here:

After 11 Years in Court, Heir Reclaims a Modigliani Looted by the N***s A judge ruled against a holding company controlled by David Nahmad, the billionaire art dealer, which had bought the work at auction in 1996.

On Tuesday, April 21 at 3:30 PM ET, RPJ’s Daniel Ain will speak at a Documentary Producers Alliance (DPA) event, “Rights, Risks, and Realities for Filmmakers,” covering key legal issues in documentary production, including AI, fair use, rights clearance, and distribution.

To register for the event, please click the link in bio.

In her most recent article, RPJ’s Hannah R. Brefeld discusses the broader impact of Dearica Hamby’s lawsuit against the WNBA and the Las Vegas Aces. Ms. Brefeld examines how the case is shaping conversations both within and beyond the sport around the rights and treatment of pregnant players, while also prompting meaningful policy changes. Underscoring the importance of advocacy not just for oneself but for future generations, Ms. Brefeld highlights the lawsuit’s unique and lasting implications.

To read Hannah’s full article, visit our website here:

Changing the Game: Hamby and the Fight for Pregnant Athletes | RPJ Law By Hannah R. Brefeld Sometimes, the purpose of a lawsuits isn’t financial recovery. Sometimes a plaintiff may file suit to spark public interest, to prompt institutional change, or simply to obtain an apology where none was given. Whatever the motivation, the overarching goal can eclipse personal ...