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Bodies of Sound / Cosmic Scores: Reading, writing, performing text scores
, Sunday 7 June
What is a text score? Performed in and through individual and collective bodies, what sort of subjectivities and relations can be produced within the space of the score? What kind of bodies – sonic, cosmic, human, social – can be read, written and performed? Bodies of Sound: Becoming a Feminist Ear (Silver Press, 2024) editors and lead this afternoon workshop focusing on the text score as a speculative feminist medium.
In the first part of the afternoon we will collectively read text scores, including a selection from Bodies of Sound by Ximena Alarcón, Elena Biserna, Maria Chavez, Tomoko Hojo, Nat Lall and Anna Raimondo. Through the lens of feminist and allied politics, Irene Revell will lead the discussion drawing on her research into historical and contemporary text scores as structures that organise bodies and hold space for both singular authorship and collaboration, and distributed forms of labour.
In the second part of the afternoon we will collectively perform a selection from Sarah Shin’s Cosmic Scores, which bring together the cosmic and the embodied through the instructional as poetry, to feel and sound inner paths to outer space. This will be followed by writing and performing new scores in small groups. Please note no prior performance or writing experience or performance is necessary.
Organised by Sabrina Fuller.
08/29/2025
Channelling Voice conference, 4 September 2025 at Liverpool John Moores University
All welcome! Attend in person (free; no booking required) or by video call. Email [email protected] the day to be added to the Teams guest list. Captioning available.
Channelling Voice explores the political, historical, embodied and methodological production of voices whose sonic powers can be heard and felt.
The day is inaugurated by a keynote performance lecture by vocal and movement artist and culminates with Cathy Lane , Emerita Professor of Sound Arts, weaving together the many threads of the day.
The conference expands BODIES OF SOUND: BECOMING A FEMINIST EAR with three panels:
🎐 Voice in Translation –with Hannah Cobb and Thomas, Gareth Gavin, Kristen Vida Alfaro and chair
🎐 Processing Voice – with , Harriet Morley , Alison O’Daniel .duet and chair
🎐 Transmissions – with Roy Claire Potter, , Syma Tariq and chair
Two films operate as interludes: Verbaaaaatim by , an ensemble of Disabled and non-Disabled musicians, blurs improvisation, live captioning and score; and Contralto by composer , employing the sound of trans women’s voices to explore transfeminine identity from the inside, opening up the intimate, peculiar relationship between gender and sound.
Supported by & in partnership with Silver. Organised by Roy Claire Potter, Irene Revell and Sarah Shin.
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2918 Martha Berry Hwy
Rome, GA
30165