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🇺🇿 ✨Movarounnahr tarixi qiziqqan fransuz kollektsiyachisi

XIX asrning ikkinchi yarmida Sharq qo‘lyozmalarining eng katta fransuz kollektsiyachilaridan biri bo‘lgan Sharl Shefer (1820—1898) nafaqat arab, fors va turkiy tildagi matnlarga qiziqqan, balki naqshlangan va suratlar bilan bezatilgan qo‘lyozmalarni ham to‘plagan. Shefer — sharqshunos va tarjimon, 1871 yildan keyin esa Sharq tillari frantsuz maktabining professori va direktori ham bo‘lgan. Ziyoli olim sifatida u Yaqin Sharqdagi ko‘plab mutafakkirlar bilan yozishmalar olib borgan; ularning ba'zilari unga qiziqarli qo‘lyozmalar jo‘natganlar.
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🇷🇺 ✨Французский коллекционер, интересовавшийся историей Мавераннахра

Один из крупнейших французских коллекционеров восточных рукописей второй половины XIX в. Шарль Шефер (1820–1898) интересовался не только арабскими, персидскими, тюркскими и турецкими текстами, но собирал также и иллюстрированные манускрипты. Шефер был востоковедом и переводчиком, а после 1871 г. – профессором и директором Французской школы восточных языков. Будучи эрудитом, он переписывался со многими учеными по всему Ближнему Востоку; некоторые из них присылали ему любопытные рукописи. Например, в 1890 г.
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🇬🇧 ✨French collector interested in the history of Mawarannahr

One of the biggest French collectors of Oriental manuscripts in the second half of the 19 century, Charles Schefer (1820 – 1898) was not only interested in Arabic, Persian, Turkic and Turkish texts but also collected illuminated and illustrated volumes. Schefer was an orientalist, interpreter and later, after 1871, professor and Director of the French School of Oriental languages. Erudite scholar, he was in correspondence with many scholars in the whole Middle East; some of them sent him interesting manuscripts. For example, in 1890, Mr Müller, a teacher at Tashkent High School, sent the current manuscripts Supplement turc 1189 and Supplement turc 1190 of the BnF, through a certain Mr Bonvalot, to Charles Schefer.
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🇺🇿 ✨ Аlisher Nаvoiy «Kulliyot»idа miniаtyurаlаr

Uning nazmiy asarlari to‘plami (devonlari) va besh dostondan iborat «Xamsa» («Beshlik») majmuasi ancha mashhur. Doston-masnaviylar Nizomiy va Xusrav Dehlaviy dostonlariga o‘xshash syujetli, ular tomonidan yaratilgan asarlarga o‘xshatma-nazira ko‘rinishda yozilgan. Navoiy va boshqa shoirlarning asarlari ko‘pincha alohida kitob qilib ko‘chirilgan, biroq baʼzida turli asarlardan to‘plam-kulliyotlar ham tuzilgan.
Ushbu qo‘lyozma, shubhasiz, to‘liq emas. U anʼanaviy tarzda «Chixil hadis» («Qirq hadis» va «Nazm ul-javohir» («Javohirlar tizmasi»dan boshlanadi, undan keyin «Xamsa»ning to‘rtta dostoni keladi: «Hayrat ul-abror» («Yaxshi kishilar hayrati»), «Farhod va Shirin», «Layli va Majnun» va «Sabʼai sayyor» («Etti sayyora»). Beshinchi doston mavjud emas.

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🇬🇧✨ Miniatures for “Kulliyat” by Alisher Navoi

The most famous are his collections of lyric poems (divan) and a cycle of five poems, the Khamsa (Quintet). Mathnavi poems were created as imitations-nazira on similar stories of the poems by Nizami and Amir Khusraw Dihlavi. The works of Navoi and other poets were often copied in separate books, but sometimes kulliyat collections were made from different writings.
The Kulliyat is certainly not complete. It begins traditionally with “Chihil Hadith” (“Forty Hadith”) and “Nazm al-Javahir” (“Threading of Pearls”), it is then followed by four poems of the Quintet: “Hairat al-Abrar” (“Amazement for the Pious”); “Farhad va Shirin”; “Laili va Majnun” and “Sab‘a Sayara” (“Seven planets/travelers”). The fifth poem is missing.
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